Fannie Sosa

Fannie Sosa will be participating in the roundtable discussion “Sounds Minds: Reclaiming Mental Health” on Friday 2 November at Böhmischer Kirchensaal. For tickets, click here.

Acclaimed scholar and multi-award winner, Fannie Sosa, is an internationally applauded interdisciplinary artist, scholar and activist cued up to receive her doctorate degree in Gender and social science at Lille III Universitiy in 2019. Her Afro-diasporic & indigenous descendance has informed her many years of research, performances and teachings. Sosa’s work focuses in developing pleasurable methodologies using vibrational & sonic therapy, movement practices to liberate the chore and transformational social justice centered publications. Sosa’s thought leadership has been featured in dazed magazine (u.k., 2015), i-d (uk,2014), noisey (colombia, 2015), paper magazine (USA, 2016), style like u (DE,2018), Berlin art link (de, 2016), schön magazine (Spain, 2018), Afro-punk (USA, 2018), the fader (usa, 2015) & gal-dem (uk, 2016) among many. Her texts have published in the 3D additivist cookbook (de, 2016), “how to sleep faster” x Arcadia missa (UK, 2016), and “Afropean Mimicry and Mockery in Theatre , Performance, and visual arts” Comissioned by mousonturm (de, 2018).   Sosa’s self-published texts include “ A white institutions guide for welcoming artists of color and their audiences”, “Pleasurable MOONStruation”, “the origins of patriarchy” and “bio-hack is black”. her performance work has been produced by tate modern, matadero madrid, and weiner festwochen.  Sosa has collaborated with artists such as niv acosta, tabita rezaire, ana pi, poussy draama, bearcat, spoek mathambo & Kirikoo DEs. sosa’s current artistic projects include Black Power naps, Pleasure is power, consent improvisation and screen writing A NEW TELEVISION SERIES. through her social justice work, SOSA has provided professional development trainings and consultancy for Performance space new york (USA), Mousonturm (DE) and  Tate modern (UK).

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